Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Small-town Indiana girl Lily Mars dreams to be a stage actress. She begs visiting Broadway producer John Thornway for a role but he dismisses her as an amateur. She follows him to New York and worms her way into his show, and his heart.
On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Jenny Bowman is a successful singer who, while on an engagement at the London Palladium, visits David Donne to see her son Matt again, spending a few glorious days with him while his father... See full summary »
Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves falling in love with each other, and they decide to get married before Joe has to return to camp.Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
In long shot, the milk truck is a 1937-1939 Stutz Pak-Age-Kar. No paint stripes down the hood, no large name badge, square front windscreens, twin bright bumper guards.When it arrives, its a 1939-1942 White Horse van,with heavy bumper over-riders, slanted windscreens,large badge and lettering on the front.Vehicles are mixed through rest of scenes involving milk trucks. See more »
You are the most maddening lady creature I've ever been able to come in contact with. Let me take you out of all this.
See more »
Also shown in computer colorized version. See more »
Very simple, yet engaging, "The Clock" makes use of some rather interesting casting, some slight but sincere characters, and a story that still works all right despite no longer having its original immediacy. Judy Garland and Robert Walker work surprisingly well as the lead couple, and James Gleason probably makes the picture with his scenes. The title is appropriate, both for its reference to the role of the station clock in the plot and also as something of a simple metaphor of the broader situation faced by the characters.
Generally, the best reason for having Garland in the cast is for her singing, yet here she carries the role without using her best-known talent. By keeping the character simple but believable, it works all right. Whenever you see Walker, it's almost impossible not to think of "Strangers on a Train" (although, of course, that film came later), yet here he also succeeds with a very different, sensitive character.
In contrast, Gleason plays exactly the kind of character role that he does best and most naturally, and it's hard to see the movie working without him.
He comes along at just the right time to keep things from petering out, and his character seems to provide exactly what was needed to keep the story from getting off-track.
Much of the movie is not especially memorable, and the production is unspectacular, though solid. Yet it's hard not to come away with a positive feeling from watching this simple yet pleasant and thoughtful film.
11 of 12 people found this review helpful.
Was this review helpful to you?
| Report this