Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound.Written by
Scott Renshaw <firstname.lastname@example.org>
Maurice Chevalier was originally considered for the part of Henri. However, Chevalier's collaborationist stance during WWII was one of the reasons that ruled him out. See more »
Just after the "Our Love is Here to Stay" dance Lise rushes off to met Henri at the stage door. Henri introduces her to an American producer who has invited him to perform in America. As soon as the producer leaves, Lise starts to apologize to Henri for being late. If you listen very closely, you'll notice that she starts speaking in French ("Je ....") She immediately catches herself and continues in English, "I'm sorry." Since both actors were Francophones, in real life they would naturally have conversed in French. See more »
This is Paris, and I'm an American who lives here. My name is Jerry Mulligan, and I'm an ex G.I. In 1945 when the army told me to find my own job, I stayed on. And I'll tell you why: I'm a painter, and all my life that's all I've ever wanted to do.
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And Presenting The American In Paris Ballet See more »
In 1995 a restored version was prepared for release on video/laserdisc, with the 18-minute ending ballet soundtrack reprocessed in stereo. See more »
I saw "An American in Paris" on its first release when I was still at school and fell in love with it straightaway. I went back to see it again the next day and have lost count of the number of times I have seen it since, both in the cinema and on TV. It makes fantastic use of some of the best music and songs by the greatest popular composer of the twentieth century (George Gershwin) and features the greatest male (Gene Kelly) and female (Leslie Caron) dancers in Hollywood history. The supporting cast of Oscar Levant (as quirky as ever), Georges Guetary (why didn't he make more movies ?) and Nina Foch (brilliant in an unsympathetic role) are at the top of their form. The closing ballet, superbly choreographed to the title music, makes excellent use of the sights and sounds of Paris and of the images of impressionist and post-impressionist artists. All the Gershwin songs are beautifully staged, but the most memorable are "It's Very Clear" (Caron and Kelly on the banks of the Seine) and "I Got Rhythm" (the kids of Paris joining Gene Kelly in "Une Chanson Americaine"). If you love Paris, see this movie. If you've never been to Paris in your life, see it. But see it !
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