Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
Three years into the Clone Wars, the Jedi rescue Palpatine from Count Dooku. As Obi-wan pursues a new threat, Anakin acts as a double agent between the Jedi Council and Palpatine and is lured into a sinister plan to rule the galaxy.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-wan Kenobi investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
Three decades after the Empire's defeat, a new threat arises in the militant First Order. Stormtrooper defector Finn and the scavenger Rey are caught up in the Resistance's search for the missing Luke Skywalker.
The Imperial Forces, under orders from cruel Darth Vader, hold Princess Leia hostage in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker and Han Solo, captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 and C-3PO to rescue the beautiful princess, help the Rebel Alliance and restore freedom and justice to the Galaxy.Written by
70 mm 6-Track
(70 mm prints)|Dolby
(as Dolby System) (35 mm prints) (1977 print)|DTS-Stereo
(as DTS Stereo® in selected theatres) (1997 print)|Dolby Digital
(as Dolby® Digital in selected theatres) (1997 print)|SDDS
(as Sony Dynamic Digital SoundTM in selected theatres) (1997 print)|Mono
(some 35 mm prints) (other 16 mm prints)
In the original rough cut of the movie, Obi-wan went off to power down the Death Star's tractor beam without explanation, so the test audience was confused about what he was doing. Editors Richard Chew and Paul Hirsch solved the problem by adding a few shots of the Death Star's schematics, a C-3PO voice-over explaining how the reactors work, and a shot of Obi-wan manually shutting down one of them. See more »
The blue panels on R2-D2 appear black when he is in the X-Wing with Luke in space. This is a blue screen shot which effectively makes R2's panels transparent. In the Special Edition, they left them as black but the newly added CGI X-Wing shots with R2-D2 are blue. See more »
Did you hear that? They shut down the main reactor. We'll be destroyed for sure. This is madness.
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To compensate for the new special edition credits inserted in versions 1997 and beyond, a longer instrumental suite plays during the credits roll, integrating various themes from throughout the film. See more »
For the initial Australian Cinema release of Star Wars (1977) distributor cuts were made to get the censorship classification the distributor wanted to guarantee an audience. To obtain the classification rating of (NRC) NOT RECOMMENDED FOR CHILDREN - the Australia Film Censorship Board ordered the elimination of "the frightening and extremely disturbing brief shots of the two burned and still smoking, charred skeletons" i.e. Australia Film Censorship Board insisted that the full length scene was not allowed to be seen "Luke's home is destroyed and he finds two charred bodies at his burnt-out home on Tatooine (his aunt and uncle)" all shown in a close-in shot of the homestead "Igloo" and nearby are the charred bodies (skeletons) of Owen and Beru Lars. - - - In 1977 the part of the scene at Luke's burnt-out home on Tatooine, which demonstrated the ruthless and quite horrible tactics used by the Empire, with an extremely shocking and very lingering scene showing his aunt and uncle's burnt and still smoking, charred skeletons, was removed from all 1977 Australian Cinema film prints, so Australian audiences were not permitted see all of the tactics used by the Empire . . . See more »
In respect to the many kids of the seventies. I rated this movie as one of the greatest movies ever made. I was thirteen and enjoyed this fantasy getaway more than I could count. Like many other kids of the seventies you left reality before walking into the theatre and escaped into the adventure once the reels begin rolling. It provided the special effects and excitement a kid was looking for. Even today when I watch this movie on VHS I recall those times. Whenever I get the chance to watch it I feel like that eager thirteen year old over and over again. I hope the new movies will meet the same expectations of kids of this decade and the next.
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