The 100 Greatest Achievements in Cinematography in the 20th Century, According to Asc

To celebrate the 100th anniversary of the American Society of Cinematographers (Asc) this year, they’ve polled their members to determine 100 milestone films in the art and craft of cinematography of the 20th century. Topping the list is David Lean’s epic Lawrence of Arabia, shot by Freddie Young. Also in the top ten is Blade Runner (Jordan Cronenweth), The Conformist (Vittorio Storaro), Days of Heaven (Néstor Almendros), and more.

Organized by Steven Fierberg, he said “Asc members wanted to call attention to the most significant achievements of the cinematographer’s art but not refer to one achievement as ‘better’ than another. The selected films represent a range of styles, eras and visual artistry, but most importantly, it commemorates films that are inspirational or influential to Asc members and have exhibited enduring influence on generations of filmmakers.”

See the top 10 below, along with the full list.

1. Lawrence of Arabia (1962), Freddie Young,
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First Trailer for Bi Gan’s ‘Long Day’s Journey Into Night’

As we move into 2019, one of most essential films of the year will be Bi Gan’s transportive, dreamlike odyssey Long Day’s into Night. Set for an April release via Kino Lorber, the 3D film—which concludes with an astounding hour-long single take through multiple towns and above—follows a detective’s journey to track down a mysterious woman. Before it lands in the U.S. however, the director’s Kaili Blues follow-up comes to France in January and now the first international trailer has arrived.

Giovanni Marchini Camia said in his review from Cannes, “Journey‘s opening half, steeped in a ravishing neo-noir aesthetic, owes a big debt to Wong Kar-wai, especially In the Mood For Love, aiming for a similarly heady atmosphere of romance, nostalgia, and regret.”

See the trailer below for the film starring Tang Wei, Huang Jue, and Sylvia Chang.

Long Day’s Journey Into
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Osamu Tezuka’s “Barbara” is adapted into a live-action film celebrating his 90th Birth Year

“The first filmization of the forbidden erotic cartoon by Osamu Tezuka

One of Osamu Tezuka’s most adult and sexually-charged works, Barbara (1973-74) was originally serialized as a follow-up to Ayako (1972-73) in Big Comic from July 1973 to May 1974. It was recently published in English, French, Spanish, Italian and German, garnering enthusiastic fans around the world, including hundreds who made history by crowdfunding a recent English re-release of the manga in a limited edition format.

Barbara is an adult-orientated fantasy tale filled with love and the occult from Osamu Tezuka’s reimagining of “The Tales of Hoffmann (French: Les contes d’Hoffmann)”. Its story deals with the erotic and bizarre experiences of a famous novelist called Yosuke Mikura whose life is tossed upside down by a mysterious girl named “Barbara”.

The controversial story, dealing with various taboos such as forbidden love, mystery, art, Eros, scandal and occultism, was said to
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BBC’s 100 Greatest Foreign-Language Films Ever: 209 Film Critics Crown ‘Seven Samurai,’ ‘In the Mood for Love,’ and More

BBC’s 100 Greatest Foreign-Language Films Ever: 209 Film Critics Crown ‘Seven Samurai,’ ‘In the Mood for Love,’ and More
The BBC Culture annual critics’ poll has become one of the most anticipated film lists over the last three years. After asking critics to weigh in on the best American films (“Citizen Kane” topped the list), the best films of the 21st century (“Mulholland Drive” in first), and the best comedy movies (“Some Like It Hot” crowned the best), the BBC Culture has turned this year to the 100 greatest achievements in foreign-language film.

This year’s list was curated from top 10 lists from 209 film critics across 43 countries, including IndieWire’s own Kate Erbland and Christian Blauvelt. BBC Culture awarded 10 points to each critics’ first-ranked film, 9 for the second-ranked, and so on down to one. The finalized top 100 list was curated based on this point system.

Sitting on the top of the BBC Culture list is Akira Kurosawa’s “Seven Samurai.” The film’s breathtaking scope and intimate character work has
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Steven Yeun, Awkwafina and Wong Kar-wai Head to Hawaii Festival (Exclusive)

  • Variety
Steven Yeun, Awkwafina and Wong Kar-wai Head to Hawaii Festival (Exclusive)
The Walking Dead” star Steven Yeun, “Crazy Rich Asians” breakout Awkwafina and legendary director Wong Kar-wai will be among the VIP guests at the 38th edition of the Hawaii International Film Festival next month. The festival runs Nov. 8-18, 2018.

Zhang Yimou’s “Shadow,” is named as the opening film. And Peter Farrelly’s “The Green Book,” which earned the audience award in Toronto, is set as the festival’s centerpiece screening.

Other highlights include “Roma,” directed Alfonso Cuaron; “If Beale Street Could Talk,” directed by Barry Jenkins; Iranian director Asghar Farhadi’s Spain-set thriller “Everybody Knows,” starring Javier Bardem and Penelope Cruz; and Natalie Portman’s “Vox Lux,” directed by Brady Corbet.

The closing night presentation is the world premiere of Hawaiian feature documentary “Moananuiakea: One Ocean. One People. One Canoe,” directed by Na’alehu Anthony. This film looks at the latest worldwide voyage of Hpkule?a, four decades after
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Wong Kar-wai Hires Virginia Leung for Film Sales Role

  • Variety
Wong Kar-wai’s Block 2 Distribution has appointed Virginia Leung, a veteran of the Hong Kong movie business, as its head of international sales.

The company has recently taken a sales role on Pema Tseden’s “Jinpa,” which has its world premiere in the Horizonte section at the Venice festival. That will be followed by the film’s North American launch in Toronto.

The company is also handling international rights to the Jingle Ma-directed mainstream action film “Euro Raiders.” The film stars Tony Leung Chiu-wai, who for decades was represented by Wong’s Jettone company. The film releases this week in China.

For the past nine years, Leung had been head of sales at Distribution Workshop. She left earlier this year when the firm relocated from Hong Kong to Taiwan. In her new role, Leung will remain based in Hong Kong.

Prior to that, Leung began her sales career with
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Tony Leung Breaks With Wong Kar-wai’s Jettone (Reports)

  • Variety
Tony Leung Breaks With Wong Kar-wai’s Jettone (Reports)
Leading Hong Kong actor, Tony Leung Chiu-wai and Jettone, the Wong Kar-wai-owned company that has represented him for the past 28 years, have gone their separate ways.

According to reports in Apple Daily, Carina Lau, Leung’s wife and major star in her own right, will temporarily act as his manager. Jettone did not respond to inquiries by Variety. In North America, Leung is represented by Wme.

Leung has been the star of numerous films by Wong Kar-wai, including “Happy Together,” “In The Mood for Love,” and “The Grandmaster,” all of which were produced by Jettone. The company also produced the ill-fated comedy “See You Tomorrow,” in which Leung starred and where Wong was required to take a significant behind the scenes directing role in support of first timer Zhang Jiajia.

Leung was also recently involved in “Monster Hunt 2,” another film that failed to live up to expectations. Although the film grossed over $350 million,
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Frankie Shaw Talks ‘Smilf’ Season 2 Influences

  • Variety
Frankie Shaw Talks ‘Smilf’ Season 2 Influences
Between the first and second seasons of Frankie Shaw’s single mom Showtime series, “Smilf,” the writers’ offices moved from the Sunset Gower lot in Hollywood to the Paramount lot, a mere mile away. Shaw made it a point to bring with her items that represented not only the inspiration for her show, but also all the hard work that went into making the series so far. “We really did all band together,” she says of her writing staff. “It felt almost like an athletic team — at least that’s how I can relate to it.”

This Isn’t Just Horse Play

An avid rider when she was growing up, Shaw was gifted this photograph taken by Laura Porzak. She hung it behind her desk when she moved into her new office not only because of her longtime love of the animal, but also because of the “dark horse metaphor,
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Anthony Bourdain on Asia Argento, His Favorite Movies, and Why Donald Trump Would Be a Terrible Dinner Companion

Anthony Bourdain on Asia Argento, His Favorite Movies, and Why Donald Trump Would Be a Terrible Dinner Companion
Anthony Bourdain watched 30 minutes of “Baby Driver” before he walked out of the movie theater. “It rubbed me the wrong way from the beginning,” he said, looking back on an experience that led him to tweet “Fuck Baby Driver” to his millions of followers. “I felt like right away I knew what was going to happen to everybody in the cast. I just felt it was telegraphed so early and painfully. I had a violent physical reaction. I stumbled out the theater in a pit of depression and fury.”

That’s the thing about Bourdain, who has spent two decades hosting food shows with a unique blend of machismo, travel fever, and cultural inquiry: A television personality who’s a creature of cinema, he devours movies almost as frequently as the cuisines at the center of his show. And in all instances, he’s man of discerning tastes.

“When you called,
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Cannes Review: Bi Gan’s ‘Long Day’s Journey Into Night’ is Visually Ravishing, Perhaps to Its Detriment

Bi Gan’s debut feature, Kaili Blues, proved one of the big critical hits of the last few years – all the more impressive for the fact that the writer-director shot it at the age of 25. His eagerly anticipated follow-up, Long Day’s Journey Into Night (no apparent relation to Eugene O’Neill’s play), represents a remake of sorts, returning to Bi’s hometown of Kaili in southern China to follow another man’s quest to find the woman he loves.

Along with narrative parallels, much of the same symbolism reappears – clocks abound – and the film is very similar even on a structural level, with a monumental single take running over most of the second half. Although Long Day’s Journey is a far more polished work than Kaili Blues, it also feels a lot more calculated, often sacrificing emotional impact for ostentation.

Journey‘s opening half, steeped in a ravishing neo-noir aesthetic,
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Cannes: Watch Exclusive Clip From Camera D’Or Contender ‘Sir’

  • Variety
Variety has been given an exclusive clip from “Sir,” a contender for the Camera D’Or at Cannes. Rohena Gera’s debut feature film, which is playing in Critics’ Week, stars Tillotama Shome, best known for her portrayal of Alice in Mira Nair’s “Monsoon Wedding.”

“Sir” is a love story set against the backdrop of the class divide in India. It is “a modern-day Cinderella story with an edge, presenting a side of Mumbai that is rarely seen in cinema and tying in with strong themes of female independence,” according to a statement.

The film centers on Ratna, who works as domestic live-in help with Ashwin, a man from a wealthy family. “Although Ashwin seems to have it all, Ratna can sense that he has given up on his dreams and is somewhat lost,” the film’s synopsis states. “On the other hand, Ratna who seems to have nothing,
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11 Actors and Directors Share the Films That Define Them, From Barry Jenkins to Jessica Chastain, Jonah Hill, and More

FilmStruck, the streaming platform from Turner Classic Movies that specializes in arthouse and foreign films, has started a viral movement on social media with the #FilmStruck4 challenge. The company posted to its official Twitter page on April 17 an announcement asking people to share the four films that define them. The challenge quickly grew to include some of the best actors and directors working today, from Guillermo del Toro to Jessica Chastain, Barry Jenkins, Zoe Kazan, Edgar Wright, and more.

Del Toro had a hard time narrowing down his picks to just four, so he posted two separate posts with the eight films that define him. Fans of the director won’t be surprised to see Jean Cocteau’s “Beauty and the Beast” and Stanley Kubrick’s “2001: A Space Odyssey” included among his choices. Jessica Chastain split her list into two, one for performances that define her and one for movies.
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East Asia Film Festival Ireland will run 5-8 April 2018 featuring exclusive Masterclass and post-screening Q&As with internationally-acclaimed cinematographer Mark Lee Ping-bing.

For its second edition, the East Asia Film Festival Ireland (previously the Chinese language Film Festival Ireland) celebrates the diversity, artistry and variety of films from East and South East Asia. Over four days, the festival will feature a compelling range of films from China, Hong Kong, Japan, Singapore, South Korea and Taiwan.

We are honoured to welcome the great Taiwanese cinematographer Mark Lee Ping-Bing as our guest in Dublin. A long-time collaborator with director Hou Hsiao-Hsien, he has also worked with many renowned directors including Wong Kar-Wai, Tian Zhuangzhuang, Tran Anh Hung, Ann Hui and Sylvia Chang.

The festival will feature the work of Mark Lee Ping-bing with rare screenings of five films spanning Mark Lee’s career, as well as an exclusive masterclass and post-screening Q&As.

Commenting on this year’s programme, Festival Artistic & Programme Director Marie-Pierre Richard said, ‘We are delighted to welcome our guest of honour Mark Lee Ping-Bing,
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The Best Movies Without Academy Award Nominations of the 21st Century, From ‘Wonder Woman’ to ‘Zodiac’

  • Indiewire
The Best Movies Without Academy Award Nominations of the 21st Century, From ‘Wonder Woman’ to ‘Zodiac’
You know what’s even more satisfying than your favorite movie cleaning up on Oscar night? The righteous indignation that comes from knowing that Academy members were too busy nominating Meryl Streep again to throw a bone to works of high art like “Under the Skin” or “In the Mood for Love.” One of the most important traditions during awards season is getting angry and/or surprised by which movies were snubbed, of which there are more than a few — for every “Shape of Water” with 13 nominations, there’s a “Zodiac” with zero.

And so it is that we’ve assembled this look at 25 great movies that went entirely unrecognized by AMPAS, some of which are unsurprising (they don’t often give much love to wrenching Korean dramas, after all) but unjust all the same. Have a look, and try to quell your outrage as you’re reminded that, seriously,
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Cry Me a River: The Radical and Revolutionary Power of Melodrama

Within the first ten minutes of Nicholas Ray’s unimpeachable classic Rebel Without a Cause Jim Stark (James Dean) wails, “You’re tearing me apart!!!!!” This is not an instance where the film crescendos with an emotional breakdown, but begins. Jim Stark is a staggering portrait of apocalyptic masculine adolescence ripping apart a young body through expectations put on him by society and his own self-imposed fears that he could turn into his passive father. Jim Stark is one of the defining characters of cinematic melodrama with his unbridled emotional honesty laid bare for the world to see. He physically cannot keep himself from gnashing, wailing, and screaming in the face of emotions that bubble to the surface. Melodrama opens the lid on these reactions and rides that feeling to cinematic honesty and authenticity. Melodrama is realer than real; a hyper-stylized evocation of feelings that we’re all familiar with as human beings.
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NYC Weekend Watch: International Melodrama, ‘L’eclisse’ & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Film Society of Lincoln Center

If you’re emotionally prepared, the massive 62-film series “Emotion Pictures: International Melodrama” has begun featuring In the Mood for Love, The Umbrellas of Cherbourg, Letter from an Unknown Woman, The Housemaid, and more this weekend.

Museum of Modern Art

An all-inclusive Michelangelo Antonioni retrospective is still underway.


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“Who talks of realism here?”: Seijun Suzuki’s Taisho Trilogy

  • MUBI
Mubi is showing Seijun Suzuki's Taisho Trilogy from November 13 - December 27, 2017 in the United States and United Kingdom.In a now-famous quote from a 1997 video interview, the late Japanese filmmaker Seijun Suzuki paraphrases Nikkatsu Studio executives when he declares, "I make movies that make no sense and make no money.” The quip is put forth in the context of 1967’sBranded to Kill, the pop-influenced noir that arguably stands as the artistic pinnacle of Suzuki’s career as a filmmaker of yakuza, gangster, and proto-pink films with Nikkatsu. While others have contested Suzuki’s claims that his nonsensical and unbankable output lead to the fissure between the filmmaker and Nikkatsu—pointing instead to the drain he and his dedicated coterie of assistant directors placed on the studio—Branded to Kill was the cap to a prodigious run of no less than two features a year from 1956 through 1966, and Suzuki's his
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In the Mood for Interaction: Wong Kar-wai’s Intersections

By Jacob Oller

The Hong Kong Second Wave filmmaker loves synchronicity. he films of Wong Kar-wai, specifically In the Mood for Love, are vivid portraits of desire (and often, the desire Of desire). In the Mood for Love specifically embodies this through a lyrical visual storytelling technique that creates a feeling of interfilm interaction between shots and components. […]

The article In the Mood for Interaction: Wong Kar-wai’s Intersections appeared first on Film School Rejects.
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Wong Kar-Wai Talks Amazon Series ‘Tong Wars,’ Drops ‘Gucci’ Movie

Imagine having had as impeccable a cinematic run as filmmaker Wong Kar-Wai. In the ’90s up through the beginning of the aughts, the Chinese auteur delivered “As Tears Go By,” “Chungking Express,” “The Days Of Being Wild,” “Ashes Of Time,” “Fallen Angels,” “Happy Together” and, the peak of it all, “In the Mood For Love.” The unlikely mesmerizing sci-fi sequel “2046” followed in 2004, but it’s been a bumpy, uneven road since then.

Continue reading Wong Kar-Wai Talks Amazon Series ‘Tong Wars,’ Drops ‘Gucci’ Movie at The Playlist.
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Wong Kar-wai Explains His Move to Television With Amazon’s ‘Tong Wars’ and His Next Feature Film

Wong Kar-wai Explains His Move to Television With Amazon’s ‘Tong Wars’ and His Next Feature Film
Among the many filmmakers who have made the jump to television in recent years, one of the most intriguing names to join the fray is Wong Kar Wai. The Hong Kong auteur’s lyrical, romantic dramas about poetic loners — including such beloved titles as “Chungking Express” and “In the Mood for Love” — treasure texture over dense plot. So it was something of a surprise when Amazon unveiled five new series in the works in early September, including one from Wong called “Tong Wars,” described as combining the history of Chinese immigration to the U.S. with a crime potboiler and scripted by Paul Attanasio (“Quiz Show,” “Donnie Brasco”).

Details on the series were scant at the time, but in a conversation with journalists at the Lumiere Festival in Lyon, Wong explained the epic sweep of the show. “The thing that attracted me to this project was the first opportunity to
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