Hail Caesar! Follows a day in the life of Eddie Mannix, a Hollywood fixer for Capitol Pictures in the 1950s, who cleans up and solves problems for big names and stars in the industry. But when studio star Baird Whitlock disappears, Mannix has to deal with more than just the fix.Written by
Dolph Lundgren has an uncredited (initially much longer and almost entirely deleted) cameo as the submarine captain. Lundgren said that he was very honored to play the part, having never expected to be asked for a film directed by Joel Coen and Ethan Coen. See more »
During the crucifixion the centurion says that the day before he saw Christ distributing water to the Roman soldiers and to the slaves in the desert. The day before the crucifixion Jesus was in Jerusalem. See more »
Ancient Rome. Twelve years into the rule of Tiberius, ruler maximus. Rome's legions are masters of the world, the stomp of its sandals heard from the Iberian peninsula in the west through the halls of the great library of Alexandria in the east. As oppressed people everywhere writhe under the Roman lash, freeman and vassal are united in one compulsory worship. The emperor, Caesar, is Godhead, lord of every man's body and spirit. For those who will not submit, the galleys, the arenas, even ...
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The movie's title "Hail, Caesar!" appears onscreen as the title of the biblical epic that Eddie is watching in dailies. See more »
From the previews of this film, I had a high level of anticipation for the Coen Brothers' latest venture, expecting it to be an hilarious and satiric romp through the halls of 50's Hollywood. The Coens are excellent technicians so the riffs on MGM, 50's Hollywood Stars, and the general machinations of the studio system were very well done. But I'm afraid the film's achievements were pretty much relegated to this dimension and overall the film remained in the category which I term "All Style and No Substance," clever but ultimately delivering a thin story. Along the way there are some wonderful bits, especially Channing Tatum singing and tap dancing in a suggestively gay sailor dance routine, Tilda Swinton playing twin columnists, Alden Ehrenreich doing some hilarious cowboy stunts on a horse and with a lasso, and Ralph Fiennes directing in a sort of prissy manner. However, none of the plot lines ever yielded anything substantive. I found it difficult to figure out just what the Coen Brothers were attempting with this film.
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